Field Notes
Journal
Notes on film photography, darkroom chemistry, and building Analogly.
In the Darkroom · November 2, 2026
Darkroom Tip: Yellow, Orange, Red: Every Filter Costs You Light
Contrast filters darken skies beautifully — and each one eats exposure you have to give back.
Read post →In the Darkroom · October 26, 2026
Darkroom Tip: Expired Film: One Stop Per Decade
Speed drops and fog builds as film ages — overexpose to protect the shadows, and refrigerate what you're not shooting.
Read post →In the Darkroom · October 19, 2026
Darkroom Tip: Pre-Soak Is Optional — Consistency Isn't
A plain-water pre-wash evens out development and tints your sink; just don't add it halfway through a project.
Read post →In the Darkroom · October 12, 2026
Darkroom Tip: Wash Smarter, Not Longer
The Ilford method gets archival film washes from three fills of a tank.
Read post →In the Darkroom · October 5, 2026
Darkroom Tip: Developer Dies of Oxygen Exposure
Air kills stock developer — store it full, sealed, dated, and dark.
Read post →In the Darkroom · September 28, 2026
Darkroom Tip: Sacrifice One Roll to the Reel Gods
Practice loading reels in daylight until it's boring — then do it with your eyes closed.
Read post →In the Darkroom · September 21, 2026
Darkroom Tip: Test Your Safelight with a Coin
Paper fogs slowly enough that you won't notice — until your whites turn muddy.
Read post →In the Darkroom · September 14, 2026
Darkroom Tip: Stand Development: Patience in a Jar
Rodinal 1+100, one hour, almost no agitation — compensating development with huge latitude.
Read post →In the Darkroom · September 7, 2026
Darkroom Tip: Pushing Film Is Mostly Pushing Contrast
Extended development lifts the mid-tones and highlights — the shadows barely move.
Read post →In the Darkroom · August 31, 2026
Darkroom Tip: Distilled Water for the Last Rinse
Drying marks are minerals, not bad luck.
Read post →In the Darkroom · August 24, 2026
Darkroom Tip: Water Bath or Acid Stop?
Both work for film — what matters is that you always do the same one.
Read post →In the Darkroom · August 17, 2026
Darkroom Tip: The Clip Test: Never Guess at Fixer
Fix for twice the clearing time — and retire fixer when clearing takes twice as long as fresh.
Read post →In the Darkroom · August 10, 2026
Darkroom Tip: Agitate Like a Metronome
Over-agitation builds contrast and grain; inconsistent agitation builds surge marks.
Read post →In the Darkroom · August 3, 2026
Darkroom Tip: Keep Every Bath Within a Degree
A warm developer and a cold wash is a recipe for reticulation and mottled grain.
Read post →In the Darkroom · July 27, 2026
Darkroom Tip: One Thermometer to Rule Them All
Consistency beats accuracy: use the same thermometer for every bath, every session.
Read post →Film Stocks · July 23, 2026
Kodak Comes Home: The New Eastman Film Lines
Eastman Kodak is selling film directly again for the first time in over a decade — Kodacolor is back, and Portra and T-Max are reborn as Ektacolor Pro and Ektapan. All of it is now in Analogly.
Read post →Technique · July 23, 2026
What Is Reciprocity Failure?
Why your 10-second meter reading needs 20 seconds of exposure — the physics of film's low-light lie, and how to correct for it per stock.
Read post →Film Stocks · July 23, 2026
12 New Film Stocks Land in Analogly
The database grows to 39: Harman's new color experiments, the community-favorite Kentmere Pan 200 with full datasheet dev times, Lomography's color-shifters, Kodak Gold in 120, and the new wave of boutique emulsions.
Read post →Film Stocks · July 23, 2026
New in Analogly: CineStill 400D and BwXX
The film database grows to 27 stocks — CineStill's versatile daylight color negative and the legendary motion-picture black-and-white join the app, with official development times.
Read post →